中国交响乐团2025/26音乐季 “北欧之光”--尹炯杰、朱丹与中国交响乐团音乐会 [售票中]
时间:
2025-12-13
场馆:北京市 |北京音乐厅
价格:80,100,180,280,380


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演出信息
中国交响乐团2025/26音乐季 “北欧之光”--尹炯杰、朱丹与中国交响乐团音乐会
时间:2025.12.13 周六 19:30
场馆:北京市 | 北京音乐厅 
票价;80/100/180/280/380
微信订票:18515362586
电话订票:010-66552100,010-66552258
 
 
 
 
 
演出介绍

 

中国交响乐团2025/26音乐季

“北欧之光”--尹炯杰、朱丹与中国交响乐团音乐会

Jong-Jie Yin, Zhu Dan and the China National Symphony Orchestra Concert

 

演出时间:

2025年12月13日 星期六 19:30

2025.12.13 19:30 (Sat)

 

演出地点:北京音乐厅

 

演出单位:中国交响乐团

 

指挥:尹炯杰

Conductor: Jong-Jie Yin

 

小提琴:朱丹

Violin: Zhu Dan

 

注:本场演出1.2米以下儿童一律谢绝入场

 

【曲目介绍】

 

代博《看不见的山》

Dai Bo:”Mountain Cannot Be Seen”

 

席曼诺夫斯基 第二小提琴协奏曲

Szymanowski: Violin Concerto No. 2, Op. 61

 

——中场休息——

 

西贝柳斯 e小调第一交响曲,作品39号

Sibelius: Symphony No. 1 in E Minor, Op. 39

 

*演出曲目及顺序以现场为准

 

 

【阵容介绍】

中国交响乐团助理指挥 尹炯杰

 

“……尹炯杰具有极高的才华……他富有魅力的指挥、对于音乐的无限热情、从不懈怠的努力,以及为取得出色结果的坚韧不拔。”—— 尼姆·雅尔维

 

“他的活力、成熟以及巨大潜力给我留下了尤为深刻的印象。”—— 雅尼克·尼泽 - 塞冈

 

“尹炯杰展现了非同寻常的才华和个性……尽管年轻,他却能从指挥台上传递出一种与生俱来的权威感。”—— 迪马·斯洛博德纽克

 

尹炯杰是当今最令人感到兴奋的年轻指挥家之一。在2023年以当之无愧的表现摘得第11届格热戈日·菲特尔贝格国际指挥大赛桂冠后,24岁的他崭露头角,迅速引起国际关注。在上述赛事中,由于对波兰音乐的出色诠释,他同时获得波兰音乐出版社 PWM 颁发的“最佳波兰作品诠释奖”,以及“耶日·塞姆科夫基金会特别奖”和“伊丽莎白·潘德列茨基特别奖”等多项表彰。

随后,他首次亮相 NFM 弗罗茨瓦夫爱乐乐团、波兹南爱乐乐团、西里西亚爱乐乐团和波兰波罗的海爱乐乐团等,并立刻获得再次合作的邀约;2024/25乐季,他首度登台华沙路德维希·范·贝多芬复活节音乐节,并迎来与阿图尔·鲁宾斯坦爱乐乐团、波德拉谢歌剧院与爱乐乐团、波罗的海歌剧院等多支乐团的首次合作。

在国内,尹炯杰与几乎所有主要乐团有所合作,包括国家大剧院管弦乐团、杭州爱乐乐团、厦门爱乐乐团等。自2023年9月起,他开始担任中国交响乐团助理指挥。2025/26 乐季,除继续上述职位并执棒中国交响乐团多场乐季音乐会,他也将迎来与中国爱乐乐团、上海交响乐团、广州交响乐团、贵阳交响乐团等国内多支重要乐团的首次合作。

此前,尹炯杰曾获2021年第57届贝桑松国际青年指挥大赛“特别提名奖”(大奖空缺);2022年,获评为中宣部“艺苑撷英”中国十大青年指挥之一。2024年7月,他受邀前往爱沙尼亚参加雅尔维指挥大师班,并在尼姆·雅尔维、帕沃·雅尔维父子创办的帕尔努音乐节上,指挥雅尔维小交响乐团成功演出爱沙尼亚国宝级作曲家阿沃·帕特作品,备受当地听众的青睐。

尹炯杰曾先后毕业于中央音乐学院附中和中央音乐学院,师从指挥家陈琳女士和陈冰女士,目前为中央音乐学院硕士研究生在读。2025年起进入柏林“汉斯·艾斯勒”音乐学院跟随德国指挥家马库斯·史坦兹(Markus Stenz)学习。自2024年5月起他成为世界顶级经纪公司HarrisonParrott伯乐艺术全球代理签约艺术家。

朱丹 小提琴演奏家

China National Symphony Orchestra

Founded in 1956 as the Central Philharmonic Society, China National Symphony Orchestra (CNSO) is directly administered by the Ministry of Culture and Tourism of China. Its orchestra and chorus rehearse and perform in the Beijing Concert Hall, its permanent home. It is the top Chinese orchestra with remarkable domestic and international presence. As the first Chinese orchestra to have a team of professional composers, CNSO has created more original Chinese scores than any other orchestras in China.

As a state-level art troupe, CNSO has been undertaking major performances on significant national and diplomatic occasions for more than 60 years, such as G20 2016 China "Enduring Memories of Hangzhou" Symphonic Concert, "Sailing for the Future" Gala for the BRICS Leaders' Meeting in Xiamen, performance for the Belt and Road Forum for International Cooperation, "Boao Forum for Asia", "APEC Summit", "Shanghai Cooperation Organization Summit" in Qingdao, etc. The outstanding techniques and performances of CNSO's musicians were acclaimed by foreign state leaders and have won the honor for the country, demonstrating the image of a great power.

As a pioneer, promoter and leader in the development of China's symphonic music and choral career, CNSO unremittingly strive for artistic excellence and makes outstanding contributions to the dissemination and promotion of the world's classical music works. In 1959, CNSO performed Beethoven's Symphony No. 9 for the first time in China and introduced many timeless works by master composers including Bach, Mozart, Brahms, Johann Strauss, Tchaikovsky and Shostakovich to the Chinese audience. Furthermore, the orchestra is dedicated to fostering creativity and originality of Chinese music. In 1970, CNSO composed and premiered the piano concerto "Yellow River". In recent years, CNSO has presented widely acclaimed concerts including "Charm of the Chinese Music" "Charm of the Classics" "Opera Concert" and "Talents of CNSO", all of which have garnered widespread praise from audiences both at home and abroad.

CNSO is also a dedicated cultural ambassador, as it has initiated intercultural dialogues and promoted friendship between China and the world through music during their many international tours. It has performed on various renowned stages, including the Musikverein in Vienna, Berlin Philharmonie, L'Auditori in Barcelona, the Big Hall of the State Kremlin Palace, Symphony Hall of the Boston Symphony Orchestra, Lincoln Center in New York City, Symphony Center of the Chicago Symphony Orchestra, Sydney Opera House and Tokyo Opera City Concert Hall. In 1974, CNSO visited Japan and gave 20 performances in 18 cities. In 1987, it made a historic tour in the United States, putting on 26 concerts over 42 days in 13 states and 24 cities. In 2002, CNSO was invited to perform in Berlin for the 30th anniversary of the establishment of diplomatic relations between China and Germany, and then went to Spain and Portugal for more than ten concerts. In 2013, invited by Columbia Artists Management Inc, CNSO went to the United States for a commercial tour on an unprecedented scale, presenting 30 symphonic concerts in 29 cities of 16 states over 53 days, with an audience of more than 40,000 people, triggering an unparalleled response across the United States.

CNSO has collaborated with many world-renowned musicians, among whom are maestro conductors Eugene Ormandy, Herbert von Karajan, Lorin Maazel, Kurt Masur, Seiji Ozawa, Gennadi Rozhest vendsky and Michel Plasson; soloists such as David Oistrakh, Yehudi Menuhin, Isaac Stern, Martha Argerich, Fu Cong, Anne Sophie Mutter, Lyu Siqing, Yo-Yo Ma and Lang Lang; and top voices such as José Carreras, Giuseppe Giacomini, Kathleen Battle, and Sumi Jo.

Over the past 70 years, CNSO has been at the forefront of China's symphonic music, and active in connecting China and the world, building bridges of understanding and mutual appreciation through music. Proud of its heritage and commitment to intercultural dialogue, CNSO is always ready to share the best of Chinese music and culture with global audience.

 

 

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