《厕所在这里》：

一个女人想在绳子上结束自己的旅行。一个男人来到想要推销莫名其妙的东西。
女人伫立着，凝视悬于树梢的绳索，绝望充满内心，悄然弥漫。这个男人的存在，居然是为所有陌生人指向厕所的方向。
这对男女的“日常”对话慢慢展开，在寂静中生长出怪诞的枝桠。
何为正常？何为怪异？
那被反复指引的厕所，真的存在吗？
女人的古怪提议，是求救还是疯狂？
男人的职业，是助人还是虚无的仪式？
只有低语在空气中悬浮。世界兀自运转。如常，无常，反常，超常。

编剧别役实被誉为日本荒诞派戏剧奠基人。

A woman contemplates ending her journey on a rope. A man arrives attempting to peddle nonsensical wares.
The woman stands frozen, gazing at the noose hanging from a tree branch, despair flooding her heart, spreading silently. This man exists solely to direct all strangers toward the restroom, as if it were a sacred duty.

The "ordinary" dialogue between them slowly unfolds, growing twisted branches of the absurd within the stillness.
What is normal? What is bizarre?
Does the repeatedly directed restroom even exist?

Is the woman’s strange proposal a cry for help or pure madness?
Is the man’s profession genuine assistance or a ritual of emptiness?

Only whispers hang suspended in the air. The world spins on its own axis—routine and irregular, ordinary and extraordinary.
Playwright Betsuyaku Minoru is hailed as a founding figure of Japanese absurdist theater.

导演：黄湘丽

孟京辉戏剧工作室演员，青年艺术家。
舞台剧代表作品：孟京辉导演《恋爱的犀牛》、《一个陌生女人的来信》、《一个女人一生中的24小时》、《夜色温柔》、《你好，忧愁》、《九又二分之一爱情》、《狐狸天使》、《伤心咖啡馆之歌》、《第七天》、《蝴蝶变形记》、《镜花水月》、《爱比死更冷酷》等。作品巡演于法国、德国、美国、澳洲、新西兰、埃及等多个舞台和艺术节。
电影代表作品：娄烨导演《兰心大剧院》。
黄湘丽拥有十几年近3000多场的舞台剧表演经验，被众多观众粉丝誉为“中国的独角戏女王”。

Director: Huang Xiangli

Actor at the Meng Jinghui Theatre Studio, established young artist.
Representative Stage Works (directed by Meng Jinghui):
Rhinoceros in Love, Letter from an Unknown Woman, 24 Hours in the Life of a Woman, Tender Is the Night, Bonjour Tristesse, Nine and a Half Loves, The Angel of Foxes, The Ballad of the Sad Café, The Seventh Day, Butterfly Transformation, Flowers in the Mirror, Moon on Water, Love Is Colder Than Death.
Her works have toured globally, gracing stages and festivals in France, Germany, the United States, Australia, New Zealand, Egypt, and beyond.

Film Work:
Lou Ye’s Saturday Fiction.
With over a decade of stage experience spanning more than 3,000 performances, Huang Xiangli is celebrated by audiences and critics as "China’s Queen of Monodrama."